展覽預告 | 徐悲鴻多件國家級文物將首次出京赴粵 3月1日亮相廣東美術館徐悲鴻誕辰130週年紀念展
多件珍貴的國家級文物
將首次出京赴粵
在廣東美術館年度重磅展覽中呈現
3大主題板塊
70餘件傳世名作
難得一見的手稿、信札、歷史影像
深度解碼中國美術現代轉型的樞紐人物
藝術大師徐悲鴻的藝術人生
展覽時間：2025年3月1日-2025年6月15日
展覽地點：廣東美術館新館1樓1-3號廳
主辦單位：廣東美術館、徐悲鴻紀念館
協辦單位：北京文澤時代文化藝術有限公司
支援單位：徐悲鴻美術館（重慶）
總 策 劃：王紹強 王紅英
Date: 2025.03.01- 2025.06.15
Venue: Guangdong Museum of Art (BAIETAN)
Hall 1-3,1st floor
Organizers: Guangdong Museum of Art, Xu Beihong Memorial Museum
Co-organizer: Beijing Wisdom Art & Culture
Supported by: Péon Museum
Exhibition Director: Wang Shaoqiang, Wang Hongying
徐悲鴻作為中國美術現代轉型的樞紐人物，其藝術實踐始終貫穿著「致廣大而盡精微」的學術邏輯。從史詩性主題創作到寓言式圖像重構，從筆墨語言革新到意境表達的突破，他開創了中西藝術融合的現代語法體系。展覽透過徐悲鴻的「江南徐生：啟蒙、求學與藝術蛻變（1895-1925）」「生於憂患：藝術教育與家國情懷（1926-1936）」與「自強不息：民族責任與美育思想（1937-1953）」三篇大論史切片，733文獻概念的「寫作概念」三文論概念的「文論」三篇大論」這三合文主義概念的「文論」概念的《文學論》。時代生成機制。
作為華南地區核心學術機構，廣東美術館新館的啟用標誌著中國美術館發展的新里程。本次展覽既是對徐悲鴻藝術遺產的世紀性重估，也是對「粵港澳大灣區」文化策略的學術呼應。透過建構數位化藝術文獻庫與國際化學者網絡，新館將持續推動中國近現代美術研究的典範創新，在文明互鑑中書寫中國藝術的當代史詩。
徐悲鴻
1895-1953
徐悲鴻，中國現代畫家、美術教育家，江蘇宜興人。他是中國現代美術的奠基者之一，以其卓越的藝術成就和教育貢獻聞名於世。徐悲鴻早年留學法國，深受西方古典繪畫和寫實藝術的影響，歸國後致力於融合中西藝術，開創了中國現代美術的新局面。他擅長油畫、國畫，尤以畫馬著稱，筆下的馬雄健有力，充滿生命力，成為其藝術標誌。代表作包括《奔馬圖》《愚公移山》《田橫五百士》等。
月夜｜95×178cm｜中國畫 ｜1931年
Moonlit Night ｜ Chinese Painting
會師東京｜113×217cm｜中國畫｜1943年
Meeting of Forces in Tokyo｜ Chinese Painting
九方皋｜139×315cm｜中國畫｜1931年
Nine Methods of Judging Horses｜Chinese Painting
愚公移山｜144×421cm｜中國畫｜1940年
The Foolish Old Man Who Removed the Mountains
Chinese Painting
泰戈爾像｜50×51cm｜中國畫｜1940年
Portrait of Tagore ｜Chinese Painting
側目｜111×109cm｜中國畫｜1939年
Sidelong Glance｜Chinese Painting
奔馬｜93×61cm｜中國畫｜1942年
Galloping Horse ｜Chinese Painting
簫聲｜80×39cm｜油畫｜1926年
Sound of the Flute｜Oil on Canvas
自畫像｜70×49cm｜油畫｜1924年
Self-Portrait ｜Oil on Canvas
溫馨提示：本次展覽為收費特展，具體售票資訊請關注廣東美術館官方公眾號後續推播。
As a pivotal figure in China's modern artistic transformation, Xu Beihong's artistic practice consistently embodied an academic logic of "reaching breadth while achieving precision." From epic the matic creation ind 書籍 creage tic conception, he pioneered a modern grammatical system fusing Chinese and Western art. The exhibition examines three historical segments of Xu Beihong's life: "Young Scholar from Jiangnan: Enlightenment, Study, and Artistic Transformation (189596995, 5895:75) 936)," and "Tireless Self-Improvement: National Responsibility and the Philosophy of Aesthetic Education (1937-1953)." Through an intertextual narrative combining 73 representative works and extensive documentation, chan documentations the object sadly docion documentation, adnectly as docnectyet documentation, adnection sadly meetalion documentation, adnectee 部分 1 號"realism" methodology.
As a core academic institution in South China, the opening of the new Guangdong Museum of Art building marks a new milestone in the development of Chinese art museums. This exhibition represents both a centennial reassessment of X urals exhibition represents both a centennial reassessment of Xuural pululti the pulultical the 相同angdong-Hong Kong-Macao Greater Bay Area." Through establishing a digital art documentation database and international scholar network, the new museum will continue to promote paradi innovation in modern Chinese art research, writing the promote paradigm innovation in modern Chinese art research, writing the temporary thr.
Xu Beihong, a modern Chinese painter and art educator born in Yixing, Jiangsu Province, stands as one of the founding figures of modern Chinese art. Renowned internationally for his exceptional artistic a evements and conhil his exceptional artistic aeve. deeply influenced by Western classical painting and realist art. Upon returning to China, he dedicated himself to integrating Chinese and Western artistic traditions, pioneering a new chapter in modern Chinese art.
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