【2025秋拍】比福德⸱迪蘭尼《The Sage Black》紐約佳士得1081萬CNY刷新個人紀錄
快訊，2025年11月18日，佳士得「二十世紀藝術晚間拍賣」正式舉槌，比福德⸱迪蘭尼《The Sage Black》估價 USD 500,000-700,000，以 USD 1,200,000 落槌、加佣金 USD 1,524,000 成交，约为 1081萬元人民币，刷新個人拍賣紀錄（打破了2022年10月14日，佳士得 倫敦《詹姆斯鮑德溫》GBP 1,026,000 保持的紀錄）。
細節 BEAUFORD DELANEY (1901-1979) The Sage Black signed, inscribed, titled and dated 'The Sage Black Beauford Delaney Paris 1967' (on the reverse) oil on canvas 35 ½ x 33 in. (90.2 x 83.8 cm.) Painted in 1967. 來源 Private collection Philippe Briet, Inc., New York Galerie Darthea Speyer, Paris, 1991 Michael Rosenfeld Gallery, New York, 1995 Acquired from the above by the present owners, 1995 出版 Beauford Delaney: A Retrospective, exh. cat., New York, Studio Museum, 1978, n.p. (illustrated in situ). R. Bearden and H. Henderson, A History of African American Artists from 1792 to the Present, New York, 1993, p. XIX (illustrated; titled and dated James Baldwin, 1963). S. Canterbury, "Beauford Delaney: From New York to Paris," ARTS Magazine, November/December 2004, pp. 10-11 (illustrated; titled The Sage Black). A. Stockwell, "His time at last.," Advocate, 1 February 2005, pp. 64-65 (illustrated; titled The Sage Black (James Baldwin)). “New This Month in U.S. Museums,” artnet Magazine, 1 August 2005, digital (illustrated; titled The Sage Black (James Baldwin)). Beauford Delaney and James Baldwin: Through the Unusual Door, exh. cat., Tennessee, Knoxville Museum of Art, 2020, pp. 160-161, pl. 36 (illustrated; titled The Black Sage). A. J. Elias, ed., Speculative Light: The Arts of Beauford Delaney and James Baldwin, Durham, 2025, pp. 192 and 194-195, pl. 22 (illustrated; titled The Black Sage (James Baldwin)). 展覽 Paris, Galerie Darthea Speyer, Beauford Delaney, May-July 1992, n.p., no. 8 (exhibition checklist). Minneapolis Institute of Arts and Philadelphia Museum of Art, Beauford Delaney: From New York to Paris, November 2004-January 2006, p. 121, fig. 46 (illustrated; titled The Sage Black (James Baldwin)).
打破了2022年10月14日，佳士得 倫敦 《詹姆斯鮑德溫》 GBP 1,026,000保持的紀錄。
關於藝術家
美國現代派畫家，生於田納西州，曾在馬薩諸塞州師範大學、南波士頓藝術學校和科普利藝術學會學習，以1930-40年代在哈萊姆文藝復興時期的作品以及1950年代的抽象表現主義作品而聞名。他經常畫紐約的街景、爵士俱樂部的熱鬧場面以及著名黑人人物的肖像，是20世紀早期最重要的非裔美國藝術家之一。
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