China Guardian Hong Kong 2025 Autumn AuctionIt will be held at the Hong Kong Convention and Exhibition Centre from October 3rd to 8thThis autumn auction brings together six major sections: Chinese calligraphy and painting, Asian 20th century and contemporary art, porcelain crafts, antiques and classical furniture, jewelry and watches, and lifestyle products. The fashion handbag exhibition "Blooming" will also be held at the same event.Presenting over 2,000 art treasuresWe use the essence of civilization and the context of art to respond to the ever-increasing collecting vision and pattern of our friends. We carefully present a cultural event for collectors around the world that integrates the past and the present, and connects the East and the West. It allows them to appreciate the context of artistic evolution and gain insight into new collecting opportunities!

The Autumn Auction Tour will kick off in Beijing, Hangzhou and Shanghai starting from September 12.The "Porcelain Crafts Exhibition" will debut in Beijing and Shanghai, inviting porcelain enthusiasts to delve into the realm of art and experience the collection's rich history and heritage across time. Meanwhile, the "Asian 20th Century and Contemporary Art Exhibition" will debut on the shores of West Lake in Hangzhou, showcasing masterpieces from both Eastern and Western modern and contemporary artists, exploring the breakthroughs and reconstructions of aesthetics within the context of "transcendence." Join us for the three-city tour, and we're excited to celebrate the autumn auction season.

We sincerely look forward to your visit to immerse yourself in the beauty of art, savor the joy of collecting, and join us in writing a new chapter in the 2025 Autumn Auction. China Guardian Hong Kong will meet you in October to embark on an extraordinary art journey together!

Tour Schedule

China Guardian Hong Kong 2025 Autumn Auction

Porcelain Handicrafts

Beijing Boutique Exhibition

September 12-13

No. 1 Wangfujing Street, Dongcheng District, Beijing

Guardian Art Center, 1F, Hall C

Shanghai Boutique Exhibition

September 16-17

【VIP reservation system】

Shanghai International Trade Plaza, 999 Huaihai Middle Road, Shanghai

Room 2204-2205, Office Building Phase 1

Asian 20th Century and Contemporary Art

Hangzhou Boutique Exhibition

September 13-14

No. 84, Beishan Street, Xihu District, Hangzhou

West Lake Villa Building 4 "Mingyue Tower"

Hong Kong Preview and Auction

10/3-8

Hong Kong Convention and Exhibition Centre Exhibition Hall 3DE

1 Expo Drive, Wan Chai

Preview of blockbuster products

Chinese calligraphy and painting

This season's Chinese paintings and calligraphy, meticulously selected from around the globe with the help of numerous collectors, feature over 550 exquisite works across three dedicated sales. "Contemplation: A Collection of Chinese Paintings and Calligraphy from Around the World" brings together ancient and modern calligraphy and painting, with several highlights from renowned collections. Fu Baoshi's "Longzhong Discussion," a rare and ingenious work based on a historical figure, is his only such subject, presented at auction for the first time. "Renwu Collection of Paintings," over 20 meters long, is a meticulous collaborative effort by 26 artists, including Qi Baishi, Zhang Daqian, Huang Binhong, Pu Xinyu, Yu Fei'an, and Wang Xuetao. Each masterfully crafted piece showcases their unique strengths, embodying a rich tapestry of beauty. Unfolding the scroll is like opening a treasure trove and exploring a treasure trove of jades—a truly magnificent spectacle.

The collection of ancient paintings is led by Shen Zhou's "A Tour of Zhanggong Cave with Introduction," formerly in the collection of Wu Xizhai. This scroll, a travelogue composed of poetry, prose, and painting, was collected and copied by Wu Dacheng in the late Qing Dynasty, and subsequently inscribed by numerous scholars. Later, Wu Hufan mounted Xizhai's copy alongside the original and recorded it in his "Meijing Shuwu Calligraphy and Painting Records," a remarkable achievement.

This season's special collection section also has many special topics, such as Important Private Collections in Southeast Asia, Important Private Collections in Hong Kong, Important Private Collections in North America, Iowa Wind: The Private Collection of the Famous Writer Nie Hualing, Treasures of Good Public Officials, and so on.

This season, we are also presenting two special mini-sessions: "186 Johnston Road: Literary Calligraphy from the Collection of Dr. Li Guoqiang" and "Brocade Curtains and Shadows: Treasures from the Collection of Shen Weijing and Cheng Jinxia." The former, formerly owned by Mr. Li Guoqiang, the former editor-in-chief of Hong Kong's "Wide Angle," will present the largest collection of letters, manuscripts, and calligraphy by Qian Zhongshu and Yang Jiang ever seen on the market. It also includes Wang Yingxia's previously unseen memoirs on Yu Dafu, a highly significant cultural and historical document. The latter represents a significant North American collection. As Ms. Cheng Jinxia was a disciple of Pu Ru, her collection of his works is extensive and exquisite, having previously achieved stellar results at Guardian Auctions Hong Kong. This exhibition showcases the remaining works from the collection, featuring many exquisite and charming works, offering a glimpse into the profound talent and elegance of Mr. Pu's poetry, calligraphy, and painting, a timeless treasure trove.

Fu Baoshi (1904-1965)

Longzhong Strategy

Created in 1946

Framed ink and color on paper

66×40 cm

Source: This item was collected directly from the family of the recipient.

Description:

1. Chronicle of Fu Baoshi, pp. 113-114, Shanghai Ancient Books Publishing House, 2004.

2. Collected Papers on Fu Baoshi Research, page 342, Shanghai Painting and Calligraphy Publishing House, 2009.

3. Fu Baoshi’s Art History Manuscript, pp. 306-307, Shandong Fine Arts Publishing House, 2013.

4. Fu Baoshi’s Fine Arts Collection, page 534, Shanghai Painting and Calligraphy Publishing House, 2014.

5. Research on Chinese Painting and Calligraphy, page 43, Guangxi Normal University Press, 2019.

The inscription reads: "Brother Peiqiu." This refers to Luo Shishi (1903-1975), a close friend of Fu Baoshi, courtesy name Peiqiu. A native of Nanchang, Jiangxi Province, he entered Southeast University in Nanjing in 1921. After graduating, he served as secretary of the National Revolutionary Army's General Headquarters. He then went to study in the UK, attending Royal College, Cambridge, where he studied economic theory. Three years later, he returned to China and became a member of the Jiangxi Provincial Committee of the Kuomintang. In 1933, he was appointed Administrative Inspector of the Fourth District of Zhejiang Province. In November 1934, he was appointed Acting Secretary-General of the Jiangsu Provincial Government. In 1939, he served as Director of Chen Guofu's Office, Third Division, in the Secretariat of the Chairman of the National Military Commission. In May 1945, he was appointed an alternate member of the Sixth Central Executive Committee of the Kuomintang. After moving to Taiwan in 1949, he served as an examiner at the Examination Yuan, Director of the Cultural Research Institute of the National Defense Research Institute, and member of the Kuomintang Central Planning Committee.

Fu Baoshi was a voracious reader of ancient books. During his early years as a student, he favored visiting an antique bookstore called "Saoye Shanfang." Its manager was Jiang Runru, whose nephew was Luo Shishi. Through Jiang's introduction, Fu and Luo became friends. They exchanged letters and provided valuable assistance to each other, with Luo Shishi's family even sponsoring Fu Baoshi's teacher training. In August 1931, Fu Baoshi and Luo Shishi traveled from Nanchang to Nanjing. They met Chen Lifu in Jiujiang, where Luo Shishi led them to visit him and persuaded him to assist Fu Baoshi in studying abroad. Luo Shishi later assisted Fu Baoshi in arranging his study abroad. Besides Chen Lifu, he also sought the assistance of Xiong Shihui, then Chairman of the Jiangxi Provincial Government and Minister of Civil Affairs. Xiong Shihui, on two occasions, provided Fu Baoshi with 1,000 yuan in tuition fees for his studies in Japan, on behalf of the Jiangxi Provincial Government. Fu Baoshi once carved a seal for Luo Shishi, and on this painting, Fu wrote a long inscription of nearly 200 words, reflecting the close friendship between the two men.

Note: The proceeds from the auction of this painting will be donated by the client to the Zigen Foundation to promote rural teacher training and sustainable development of education in impoverished areas of China.

Qi Baishi (1864-1957), Huang Binhong (1865-1955), Zhang Daqian (1899-1983), etc.

Renwu Collection Scroll

Hand scroll, ink and color on paper

Header: 32×107.5 cm

Painting 1: 27.5×89 cm

Painting 2: 32.5×1729.5 cm

Back paper: 32.5×123 cm

Published: "Hanhai's 20th Anniversary Masterpieces" (Calligraphy and Painting Volume), pages 376-377, Wenwu Publishing House, 2014 edition.

illustrate:

1. The Renwu Collection of Paintings includes 26 painters who were in Beijing at the time of the collection, including Qi Baishi, Wang Shensheng, Yu Fei'an, Wang Xuetao, Qiu Shiming, Zhou Zhaoxiang, Han Xinshou, Tian Buchan, Huang Binhong, Xiao Fen, Ling Wenyuan, Pu Tong, Pu Ru, Zhang Daqian, Chen Banding, Wu Jingting, Wang Rong, Pu Xian, Wu Guangyu, Hu Peiheng, Qin Zhongwen, Ma Jin, Huang Jun, He Haixia, and Lu Hejiu.

2. It begins with "A Clean and Innocence Hall" painted by Qi Baishi in the Double Ninth Festival of Renwu (1942) and ends with "Old Man and Young Man" by Lu Hejiu in the Jiashen Year of the Ninth Festival (1944). There are inscriptions by Shao Zhang, Xing Duan and Zhang Hairuo at the end of the scroll.

Shen Zhou (1427-1509)

A Map and Introduction to Zhanggong Cave

Hand scroll, color on paper, ink on paper

Header: 49×109 cm

Painting core: 45×252 cm

Calligraphy: 45×305 cm

Copy by Wu Dacheng: 27×388 cm

Inscriptions by various scholars: 29×373 cm

Publication and cataloging:

1. "Compendium of Chinese Southern Paintings, Volume 16", Plate No. 2199, Kobunsha, Japan, 1935 edition.

2. "The Complete Works of Chinese Southern Painting: Supplementary Notes and Postscripts", Plates 39-41, Kobunsha, Japan, 1935 edition.

3. "Meijing Calligraphy and Painting Records•Volume 3 Catalogue", see Wu Hufan's Manuscripts, pages 386-387.

Description: This scroll is roughly divided into two parts. The first is Shen Zhou's "Visiting Zhanggong Cave," a travelogue that combines poetry, prose, and painting. It features inscriptions by Weng Tonghe (1830-1904), Jiang Biao (1860-1899), and Wu Yusheng (1854-1940). The second part is a copy by Wu Dacheng, with inscriptions by Gu Zhaoxi (1841-1910), Weng Tonghe, and Gu Yan (1835-1896). It later came into the collection of Meijing Bookstore and was bound into a single scroll by Wu Hufan. The dense plum blossoms depicted here create a unique and captivating contrast.

Special Session

186 Johnston Road: Calligraphy by Literati from the Collection of Dr. Li Guoqiang》

This collection, formerly owned by Mr. Li Guoqiang, the former editor-in-chief of Hong Kong's "Wide Angle", will present the largest collection of letters, manuscripts and calligraphy by Qian Zhongshu and Yang Jiang currently seen on the market. It also includes Wang Yingxia's never-before-seen memoirs about Yu Dafu, which are extremely important literary and historical materials.

Brocade Curtains and Shadows: Treasures from the Collection of Shen Weijing and Cheng Jinxia》

Pu Ru (1896-1963)

Immediate picture

Hanging scroll, ink and color on paper

88×41 cm

This collection represents a significant North American collection. As Ms. Cheng Jinxia was a disciple of Pu Ru, her collection of his works is both extensive and exquisite, having previously achieved stellar results at Guardian Auctions in Hong Kong. The remaining collection is now on display, revealing numerous exquisite and charming works of artistic inspiration, offering a glimpse into Pu Ru's profound talent and elegance in poetry, calligraphy, and painting, a legacy that endures through the ages.

Asian 20th Century and Contemporary Art

Transcendence: A masterpiece by masters of both the East and the West

This autumn's "Asian 20th Century & Contemporary Art" auction features masterpieces from both Eastern and Western Modern and contemporary art. Titled "Transcendence," the special section presents significant, well-proven works by 16 masters of modern Asian art: Zao Wou-Ki, Chu Teh-Chun, Wu Guanzhong, Lin Fengmian, Ding Yanyong, and Chu Yun-Chih; contemporary pioneers Cai Guo-Qiang and Ding Yi; realist icon Wang Yidong; avant-garde female artists Yayoi Kusama, Xie Jinglan, and Bharti Kher; Japanese Superflat artist Takashi Murakami; leading Southeast Asian contemporary figure Natee Utarit; and Western masters Marc Chagall and Joan Miró. The autumn auction also opens with the spectacular 330-centimeter "Master Riding a Dragon," a monumental work by major Asian sculptor Li Chen, a record-breaking work at auction, a highly anticipated offering.

Cleansing freedom is like observing the illusion of nebulae.

Leading the autumn sale is Zao Wou-Ki's dazzling, ethereal "27.01.83," completed in 1983. From the collection of the Yageo Foundation, the artist boldly divides the painting into two realms: the foreground, layered with subtle hues of yellow, light blue, tender green, and ivory, creates a soft, fluffy effect reminiscent of a sea of clouds. The rhythmic, brown lines stretching across the bottom create a sense of connected mountains reaching the horizon, or the continuous arcs of dust kicked up by a galloping horse. Above, vast expanses of indigo, royal blue, and coffee red propel the space forward into a vast and boundless horizon. Within this, a rich, meticulously crafted texture reveals granular, gravelly specks, scratches, smoky smudges, sprays, dreamy droplets, and imposing thick paint. Set against a shimmering blue-violet hue, the subtle nuances of color create a sense of space and vibrant energy, imbuing the painting with life. Beyond presenting a unique, dreamlike spectacle, the painting connects with the emotions and spirit of contemporary humanity, evoking a sense of witnessing the shifting nebulae and vibrant aurora borealis within the vast sky.

In early 1983, Zao Wou-Ki attended the opening of his solo exhibition at the Taipei Museum of History. During the exhibition, he also visited his close friend, Chang Dai-Chien, for a conversation on art and life. The shimmering blue-violet hues of "27.01.83" may also represent a dialogue and symphony of Zao's appreciation for Chang's splash-ink artistic achievements. Throughout his oeuvre, the vibrant purple hue appears only sparingly, as a finishing touch, rarely appearing extensively. This underscores the rarity and uniqueness of this work. This use of color also echoes the vibrant, shifting colors of Song Dynasty porcelain, such as Jun kiln porcelain, which Zao Wou-Ki admired since his youth. After its creation, this work was exhibited in Zao Wou-Ki's solo exhibition at the prestigious Matisse Gallery in New York in 1986. It was also specially included in the "Zao Wou-Ki Forty Years of Painting 1954-1994" exhibition held at the Center for Contemporary Art in Mexico in 1994, demonstrating the artist and curator's deep love for the work. Its current appearance at auction is a real honor for those who appreciate it!

Zao Wou-Ki, 27.01.83

Oil on canvas

95×105 cm

Created in 1983

Chagall's "My Home"

Oil on canvas

61×49.7 cm

Created in 1968

Li Chen, The Great Master Riding a Dragon

bronze sculpture

330×293×200 cm

Created in 2001

Edition: 4/6

Porcelain Handicrafts

The Porcelain and Crafts Department, upholding a philosophy of continuous improvement and meticulousness, continues to select treasures for collectors. We are fortunate to have the continued strong support of major collectors for our 2025 Autumn Auctions, which will feature five special sales showcasing over 1,000 rare pieces across porcelain, jade, and other cultural and antique items. This Autumn Auction will showcase the perspectives, passions, culture, interests, insights, and experiences of international collectors of Chinese porcelain and crafts, creating a unique experience. We encourage collectors to pay close attention.

16th/17th century

A Zhou Dynasty rosewood screen inlaid with a picture of the God of Longevity and hundreds of treasures

Height 21 cm

Provenance: Formerly in the collection of a collector in Hyogo Prefecture, Japan

Emperor Qianlong of the Qing Dynasty

Blue and white dragon-patterned jade vase

"Made in the Qianlong Period of the Qing Dynasty" six-character seal script mark in three lines

Height 29.6 cm

source:

Sotheby's Hong Kong, May 15, 1990, Lot 151

Formerly in the collection of Zhang Zongxian

Christie's Hong Kong, October 31, 2000, lot 829

Arts and Culture Museum, Hong Kong

exhibition:

Important Ancient Chinese Ceramics from the Yunhai Pavilion: The Zhang Zongxian Collection, Christie's London, 1993, lot 85

Fine Art and Antiques, Classical Furniture

This autumn, Guardian Auctions Hong Kong presents the special sale "Viewing China: Fine Art and Classical Furniture." Featuring over 70 pieces, the sale continues the tradition of aesthetics and scholarship. The Fine Art section showcases important Chu bronze weapons, showcasing the unique romance and elegance of Chu culture. The Classical Furniture section brings together several important Asian private collections, with the Dongtai Commercial House collection being a standout. Among the highlights is a Huanghuali mortise and tenon-and-tenon single-panel table with phoenix-headed dragon motifs, showcasing imposing elegance and precision. Other highlights include a Huanghuali large four-foot-high official hat chair and a Huanghuali six-poster bed with drawers, both representative examples of classical Huanghuali furniture. For the first time, a special section features over ten pieces of agarwood and agarwood from Vietnam, Hong Kong, and other regions. The Vietnamese agarwood, originating from Nha Trang, boasts a unique green texture and a cool, sweet aroma.

Sun Yujian, King of Chu

4.8×3.8×56.2 cm

The Chu people rose to prominence between the Jing Mountains and the Han River. Through arduous struggle and dedicated efforts, they eventually grew from a small state "inhabited by the Jing Mountains" into a powerful southern nation boasting "a million soldiers, a thousand chariots, and tens of thousands of cavalry," earning them one of the "Five Hegemons of the Spring and Autumn Period" and the "Seven Hegemons of the Warring States Period." They commanded troops from the Zhou suburbs, sought control of the Central Plains, and fought fierce battles with the Song and Jin dynasties, expanding their territory. Martial values were fundamental to the Chu state. Leveraging their exceptional bronze casting skills, the Chu people forged countless formidable weapons. This autumn, China Guardian Auctions presents the Chu Wangsun Yu Sword and Chu Wangsun Yu Ji, both symbols of the Chu army's might. Qu Yuan's words in "Nine Cantos: Crossing the River," "With my long spear as dazzling as a chariot, my crown as majestic as a cloud-cutting halberd," perfectly capture this majestic military prowess and spirit. These weapons not only marked the rise of the Chu state but also serve as a tangible testament to its glorious history.

Early Qing Dynasty

Huanghuali mortise and tenon single-panel table with phoenix-head and dragon-shaped patterns

220×43.5×87 cm

Provenance: Collection of Dongtai Trading Company.

Cases often feature cloud motifs and dragon motifs, while phoenix motifs are extremely rare. This case is made of huanghuali wood, with a single-board top and a dragon motif on the legs, clearly symbolizing the auspiciousness of dragons and phoenixes.

According to Mr. Tan Xiangdong's research, "As a totem that appeared in ancient times, the phoenix has a high status and is widely used in the history of ancient Chinese arts and crafts. Phoenix patterns are also used in wooden furniture, but they are far less common than various dragon patterns. The carving of a perfect phoenix pattern requires a sufficient area, so it often appears on furniture such as cabinet doors, bed rails, and mirror tables. The use of phoenix patterns on desks is mostly used as carvings on the side panels between the legs. For example, the table with a raised head formerly in the collection of the San Francisco Museum of Arts and Crafts is used on the top of the clothes hanger, and only the phoenix head is carved." This further demonstrates the rarity of phoenix-patterned desks.

Late Ming Dynasty

Huanghuali wood official hat chair

61×57×123 cm (seating surface: 60.5×47 cm)

This large, over-sized official hat chair features a wide seat, an elegant demeanor, and a timeless style. Its high back, with its four sides shaped like incisions, is meticulously crafted from fine huanghuali wood. The triple-curved backrest offers a smooth, beautiful texture and is wide and thick. The upturned headrests, the powerful and gracefully curved bolster, and the triple-curved armrests create a flowing, curvaceous aesthetic.

Green Strange Knots in Nha Trang, Vietnam

296 grams

Provenance: From an important private collection in Hong Kong.

This piece, a unique green knot, is not a backflow agarwood, and is authentic Nha Trang. It has a clean aroma, a soft and glutinous texture, and a thin, distinct oil line. Rich oil is visible at the opening of the fragrance. The surface grooves left by the incense hook are casual yet beautiful, enhancing its ornamental value. Weighing over 290 grams, its longevity as a fine incense material is self-evident. With Vietnamese agarwood nearly extinct today, this piece is quite rare.

Vietnamese Green Agarwood offers a refreshing coolness and a sweet, rich aroma. Its scent stimulates salivation and regulates qi, leaving the mind relaxed and refreshed. The powdered agarwood leaves a strong numbing sensation on the tongue. Raw agarwood has a more intense and diffuse aroma than mature agarwood, offering a richer and more varied flavor profile.

Jewelry and Watches

The Jewelry & Watches department will proudly present its "Magnificent Jewels & Jadeite" auction. This sale features over 170 magnificent jewels, each a dazzling spectacle, like a galaxy scattered across the world. The sale includes not only iconic colored gemstones, diamonds, and jadeite, but also affordable, elegant pieces for everyday wear. This autumn, the highly anticipated Fashion Handbags Sale will debut at the Hong Kong Convention and Exhibition Centre, showcasing nearly 40 of the finest handbags. Among them are coveted Hermès leathers, limited editions, and special commissions, as well as exquisite pieces from other brands.

The Jewelry and Watches Department has meticulously curated this autumn event for collectors, showcasing the artistic dialogue between jewelry and handbags. We sincerely invite you to immerse yourself in this intertwined experience of ultimate luxury and aesthetic delight, and witness the brilliance of each exquisite piece.

17.61 carat natural unheated Burmese royal blue sapphire

With diamond ring

Burmese sapphires have always been admired by collectors. Their vibrant hue and soft, velvety sheen create a timeless classic, resembling a galaxy of stars condensed on the fingertips. Set with glittering diamonds, these sapphires enhance the central stone's grandeur, creating a timeless masterpiece that embodies the wonders of nature and the finest jewellery artistry.

3.11 carats natural Burmese unheated pigeon blood ruby

With diamond ring

Unheated pigeon's blood rubies from Burma weighing 8.64 carats

With diamond earrings

39.88 carat Fancy Intense Yellow Internally Flawless diamond

With diamond ring

The rarity of Fancy Intense yellow diamonds makes them coveted treasures among diamond collectors and jewelry enthusiasts worldwide. Their yellow hue stems from the influence of trace amounts of nitrogen during their natural formation, a rare natural phenomenon that imbues yellow diamonds with their unique color and value. Fancy Intense yellow diamonds not only symbolize the highest quality and rarity of diamonds, but also embody the wonders of nature and the exceptional craftsmanship of jewelry craftsmanship. They are treasures of both beauty and collectible value, bringing unique charm and glory to their wearers.

Unheated Burmese rubies weighing 80.76 carats

With diamond necklace

Hermès: Dreamy Pink Leather Bolide On Wheels

With palladium hardware 2025

Hermès: Mini Constance in Ultra-Rose Lizard Leather

Gold accessories 2022

Lifestyle Products
This autumn's "Enjoy Lifestyle" special sale has been significantly upgraded, showcasing nearly 300 exquisite works, offering collectors a feast that blends the senses and culture. In addition to fine wines, Cuban products, and daily necessities, we have also added aged Pu'er tea and fine teas. A special section featuring important private collections will showcase classic works with seals, further expanding the realm of a better life.

For fine wines, we've curated exceptional Moutai aged liquors, each bottled to showcase its remarkable origins. We also offer special edition whiskies and cognacs, each showcasing the unique terroirs of each region. Furthermore, over 160 Cuban bottles offer the mellow flavors of the Caribbean. Crafted with centuries of tradition, their satin-like finish is encapsulated by rich notes of cocoa, wood, and leather, making them the perfect choice for a gentleman's collection. "Lifestyle Products" are designed to bring joy to your life, and we sincerely invite collectors from all walks of life to discover these rare treasures and discover their favorites.

2012 Kweichow Moutai special commemorative wine

1 bottle/750ml (1 box x 1 bottle)

Sauce-flavored 53% alcohol

This custom-made commemorative decanter from Kweichow Moutai Distillery features a miniature aircraft carrier at a precise 1:600 scale. Utilizing a new type of fine ceramic, the decanter undergoes hundreds of trials, resulting in a masterful reproduction of the carrier's structure and details using white porcelain and gold lacquer, complete with aircraft vividly perched on the deck. This commemorative decanter utilizes Moutai's specially aged 53% alcohol reserve, with a limited global production of 30,000 units.

1930s Jingchang Yuan tea with small receipt

1 tube of 7 pieces, about 2266.8g (with bamboo shell)

Founded in Jiangcheng in 1921, Jingchanghao is one of the largest and most renowned Pu'er tea houses in the area. Its production techniques are among the finest among early private tea houses. They select the finest large-leaf tea trees from Pu'er's Zhengshan Mountains, and meticulously and meticulously press the tea cakes. This makes Jingchanghao Pu'er tea the most beautiful in appearance, renowned for its smooth, even texture. Its aroma often carries a wild camphor scent, and its watery, soft texture melts in the mouth. It is considered one of the smoothest antique Pu'er teas. Available in the market, Jingchanghao teas are divided into large and small tickets, each with a different style, but all exhibiting exquisite craftsmanship. Antique-grade teas are often difficult to find. This small Jingchang ticket box has been meticulously preserved by collectors and remains in perfect condition, making it a truly rare find. May the lucky recipient cherish it.

Centennial Green Ticket Fu Yuan Chang Round Tea

One piece, about 300.5g (with cellophane)

Fu Yuan Chang Hao round tea, known for its majestic and powerful presence, is hailed as the "King of Tea" among antique Pu'er teas, and is ranked among the "Four Great Grades of Tea." Its inner lobes are commonly found in three colors: reddish-purple; light blue/green; and white. All three are stamped with a cinnabar red seal, though this piece is a green piece. Fu Yuan Chang Hao selects large-leaf Pu'er tea leaves from Yiwu Mountain. These leaves are rich and masculine, possessing a centuries-old richness. They melt in the mouth, possessing a powerful aroma yet smooth and mellow, leaving a lingering fragrance. This piece is a collector's treasure, meticulously stored for its pure flavor. The inner lobes are clearly visible within the tea cake, offering a rare opportunity to witness the King of Tea.

Cuban products

This special sale features over 160 Cuban products, showcasing sought-after and rare pieces from major brands, including limited editions, collector's editions, and commemorative releases. Also on display are rare and important private collections of exceptional historical value, including special editions signed and photographed by Cuban revolutionary leader Fidel Castro, a 1960s Romeo and Juliet piece commissioned for the British royal family, and a pre-revolutionary H. Upmann crown. This diverse selection showcases the centuries-old heritage of Cuban craftsmanship and the unique historical significance of Cuban products.

Please wait and see

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